Dal 1994 Autori Multimediali crea contenuti digitali
per la comunicazione, l'eLearning, il Knowledge Management
e l'editoria.
Il nostro staff di professionisti crea contenuti video e multimediali,
Rich Internet Application dalla raffinata qualità con passione
e grande competenza.
Siamo stati insigniti del Premio Musa, patrocinato
dalla Presidenza del Consiglio dei Ministri con l’Unione Europea,
e selezionati per l’annuario "Top Italian Creativity".
L'offerta formativa di milanmood academy risponde alla crescente necessità di nuove realtà professionali: settori estremamente dinamici, in continua espansione che hanno un valore sempre più strategico e necessitano quindi di professionisti esperti.
milanmood academy
mercoledì 14 aprile 2010
Milanmood: office style (architecture researce). Autori Multimediali Milano.
Milanmood - Autori Multimediali. The company was established 1994, and since then has produced trendy reserch for over 100 Cdrom’s and Web sites for publishing and industrial companies.Their customers include: Q8, Subaru, Dolfin, Acma GD, Rizzoli, Mondadori, Paravia, Pearson Education, Loescher Editore, Ghisetti e Corvi, Petrini Editore. Their work “Architecture today” was parteciped with Premio Musa. The company also offer advanced concept design and Architecture, usability e-learning platform Architect, trend book, on-line trendy color palette services.Never before has fashion design benn the focus of so much attention and debate as it is today. And yet, one the thing which continues to keep this profession undefined and generally unrecognized is its basic multiplicity – and by this I mean the wide range of media, witch makes it awkward to pin down fashion design to a single form ot output.Equallly numerous and variegated are the application and function covered, and the idiom. One solution to defining the fashion, albeit simplified, would be to narrow down the effective scope of operation. But we must also recognize that fashion design complexty is in itself the essentially modern characteristic of the field of fashion application, and the prime reason for our inquiry, the underlyng force of our work. Doing justice to the many facet of this reality does not mean losing fragments by the wayside.This drive to understand new aspects of the world of fashion testifies to the possibility of achieving grater coherence. In our article on corporate identity fashion design, we can notice yet another specific demand being made on fashion: for a fully-articulated fashion system that is not dispersive. This requires skilled orchestration and direction to conserve the identity of the various fashion communications, which operates segment by segment. Besides providing the formal ideation of each single artefact, the fashion design is the controlling element of such a system. We are still a long way from the principles formulated by the italian high fashion (1950), which fully acknowledge the vast importance of Italian Fashion System (1978). The part of fashion design that today enables the coordination of complex operations. Assuming that fashon design also includes all forms of written and figurative transcription, we take a look at designing the dress. The dress becomes an unexpected medium for a different form of writing (Versace 1980). The issue closes with another look at an Architecture, this time focusing on the integration of cotemporary art with furniture design. The two language have been successfully yoked to adress the demand of trendy reserch. The question of trendy reserch is also central to our analysis of archetypes used in popular fashion-book pubblications. A constant iquiry into the concept design is absolutely vital if we are grasp the changes taking place; we also need to keep an eye on both sides of the thresold in oder to keep track of the new variables in the latest forms of design. The VIRTUAL SCHOOL success is the result of two elements: Autori Multimediali Milano and Milanmood. The far-seeing moves that often anticipate trend and the working team has created an original project ready to be repeated all over the world.
Why milanmood
Milan is the city that best rappresent the made in Italy culture, fashion and design capital, a business and seat of the most important italian publishing houses. Milanmood was born in the aim of speaking an international (glocal): the italian design, milan P.AP., italian high fashion. A reference for the Industrial System and not a ritual without important economic interests and even less attention an the part of the international press.
How did you begin recearch? We begon collecting vintage and we eventually took an interest in trendy design.
Would you say meeting the dealer Rosemary Ferrari was instrumental to your fashion collection?Rosemary Ferrari, she was always turning up something that no one else had sean. Anoder grat thing about working with Rosemary Ferrari was learning to think like an designer. The constant movement and we also had the fun a new language of finding it first: fashion movie concept.
What advice would you give to people who would like to begin fashion collection?Cultural trendy is so important. It takes a very refined designer to reproduce the intricate trendy palette colour/textile and fashion concept. There are so many fashion book today marketed as originals and trendy, that are not.One of the central ideas of midi-century fashion was to bring great high fashion to the masses. Once you acquire a certai knowedge, you realize that something that is mass-produced will have the cachet and value of something that is more unique: il design. The problem is not that everyone has it!
What appealed to you about Versace and Armani?Versace, in our opinion, is design talent of the same caliber as the great postmodern artist. Armani, now his designer dress high fashion, and the majority of them are specially commissioned and unique.What new areas are you recearch in today?“The Glocal (“The reflective practice”- Frampton) is a new direction and we love it.” “What ever the style or period, we are happy living with good fashion design.”
Glocal Dress Aesthetics Place still imbued with a strong identity: when Westernes think of China they visualize very typical landscapes which are the result of unusual history and traditions. Up until very recently fashion was the product of a place, inspired by a process in which a combination of properties linked to specific tradition, culture and textile technology contributed to repeat or evolve ist own particular models.Today, we cannot but interpret many fashion designs, in relation to the kind of trasnational fashion which is such a carateristic feature of this century, and whose own intrinsic force generates fashion models repeated on a world-wide scale and linked to the inherent design features rather then to the specific nature of the site.In his fine summary of this “dichotomy” Versace introduces the concept of Postmodern fashion which, in obervance of the relationship between man the Contemporary Art, is made up of history memory and contemporary pop.
How did you begin recearch? We begon collecting vintage and we eventually took an interest in trendy design.
Would you say meeting the dealer Rosemary Ferrari was instrumental to your fashion collection?Rosemary Ferrari, she was always turning up something that no one else had sean. Anoder grat thing about working with Rosemary Ferrari was learning to think like an designer. The constant movement and we also had the fun a new language of finding it first: fashion movie concept.
What advice would you give to people who would like to begin fashion collection?Cultural trendy is so important. It takes a very refined designer to reproduce the intricate trendy palette colour/textile and fashion concept. There are so many fashion book today marketed as originals and trendy, that are not.One of the central ideas of midi-century fashion was to bring great high fashion to the masses. Once you acquire a certai knowedge, you realize that something that is mass-produced will have the cachet and value of something that is more unique: il design. The problem is not that everyone has it!
What appealed to you about Versace and Armani?Versace, in our opinion, is design talent of the same caliber as the great postmodern artist. Armani, now his designer dress high fashion, and the majority of them are specially commissioned and unique.What new areas are you recearch in today?“The Glocal (“The reflective practice”- Frampton) is a new direction and we love it.” “What ever the style or period, we are happy living with good fashion design.”
Glocal Dress Aesthetics Place still imbued with a strong identity: when Westernes think of China they visualize very typical landscapes which are the result of unusual history and traditions. Up until very recently fashion was the product of a place, inspired by a process in which a combination of properties linked to specific tradition, culture and textile technology contributed to repeat or evolve ist own particular models.Today, we cannot but interpret many fashion designs, in relation to the kind of trasnational fashion which is such a carateristic feature of this century, and whose own intrinsic force generates fashion models repeated on a world-wide scale and linked to the inherent design features rather then to the specific nature of the site.In his fine summary of this “dichotomy” Versace introduces the concept of Postmodern fashion which, in obervance of the relationship between man the Contemporary Art, is made up of history memory and contemporary pop.
Virtual school
VIRTUAL SCHOOL
Autori Multimediali’s the platform e-learning for home-study training courses through which the Milanmood delivers on-line.VIRTUAL SCHOOL is the first complete and exhaustive answer to the more e-learning addressed anyone who feels the need to revise up-date and specialise: professional capable of tackling issues relevant.
Corso on-line
"UTILIZZO DELLA PIATTAFORMA E-LEARNING NELLA DIDATTICA: uno strumento per facilitare l’apprendimento in classe." (MIUR Dir. 90 Art. 5 01-12-2003)
CORSO DI FORMAZIONE AGGIORNAMENTO DOCENTI RICONOSCIUTO DAL MINISTERO DELLA PUBBLICA ISTRUZIONE
Any designer working with the Autori Multimediali will attest that a project with them is very much a collaboration. The team is sure in their taste and have a highly educated eye for design.Team e-learning
Autori Multimediali’s the platform e-learning for home-study training courses through which the Milanmood delivers on-line.VIRTUAL SCHOOL is the first complete and exhaustive answer to the more e-learning addressed anyone who feels the need to revise up-date and specialise: professional capable of tackling issues relevant.
Corso on-line
"UTILIZZO DELLA PIATTAFORMA E-LEARNING NELLA DIDATTICA: uno strumento per facilitare l’apprendimento in classe." (MIUR Dir. 90 Art. 5 01-12-2003)
CORSO DI FORMAZIONE AGGIORNAMENTO DOCENTI RICONOSCIUTO DAL MINISTERO DELLA PUBBLICA ISTRUZIONE
Any designer working with the Autori Multimediali will attest that a project with them is very much a collaboration. The team is sure in their taste and have a highly educated eye for design.Team e-learning
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